About me
Editor, storyteller
Radek Sienski, BFE, has garnered recognition in the industry with his BAFTA-nominated credentials and a professional career spanning over a decade in the domains of broadcast TV and film. His collaborations are marked by regular engagements with industry leaders such as Netflix, Disney+, BBC and Channel 4. He is a member of the Academy of Television Arts & Sciences (Emmy) and the British Academy of Film and Television Arts (BAFTA).
His journey commenced with the editing of his first feature film in 2010. In 2013, he received a MA in Editing from the prestigious National Film and Television School and went on to edit 'The Cleaners,' an exposé that delved into the operations of a neo-Nazi party in Greece and culminated in a world premiere at the International Documentary Film Festival Amsterdam (IDFA), as well as 'On a Knife Edge' which chronicles the coming-of-age of George Dull Knife as he grows up on the Pine Ridge Reservation, which premiered at SF DocFest.
His portfolio boasts a multitude of awards, including those earned for his work on projects such as 'A Question of Time', 'The Write-Offs', and 'First Dates', among other productions.
Recent additions to Radek's portfolio include prominent projects like 'Man Vs. Bee' (Netflix) featuring the celebrated Rowan Atkinson, 'Save Our Squad with David Beckham,' a collaboration with the legendary David Beckham for Disney+, and an upcoming series scheduled for release on Apple TV+. His dedication to the art of editing and storytelling remains unwavering and has earned him the respect of peers and colleagues within the industry.
God is in the details
Precision, compassion, and a strong understanding of human nature are paramount in my work, for as the adage goes, 'God is in the details.' I am deeply passionate about my craft, and this ardour resonates throughout my professional endeavours.
My profound affection for the medium empowers me to intuitively and seamlessly translate the vision residing within the hearts and minds of my directors onto the canvas of the screen. I take great pride in my role as an astute listener, yet I also possess the discernment to offer my insights judiciously.
I often liken the role of an editor to that of a doctor. In this analogy, a TV show or film becomes the director's metaphorical 'baby,' and, much like a doctor, I provide guidance and support, enabling the director to deliver his 'baby' in the best possible way.
Ready to get cutting?
